Oil on Board, 14 x 20 inches
I needed to get one more painting done to submit for the annual Royal Institute of Oil Painters (ROI) exhibition, entries closing today at noon, so I managed to finish it at 1.45 this morning, just ready to photograph and enter on to the long-winded submission form...phew.
I changed my mind about the composition of this - here are a couple of stage photos:Initial wash stage, with very turpsey, neutral colour put on just like a watercolour wash, letting the colour drain down, giving those gorgeous patterns, a little of which would be left showing here and there to convey the network of feathery branches...
And here, a little further on, you can see I have placed in the cattle and painted the sky, with a watery sun breaking through the fog. After a lot more work on the trees and bank-line, I finally painted in the water, with the corresponding reflection of the sun. After stepping back (I always paint standing up these days) I wasn't happy with the balance somehow. Measuring where the reflection of the sun would be (from the unseen horizon, NOT from the line of the river bank) it was unsettlingly midway between the river bank and the bottom of the picture. It just didn't look right, so I decided to paint out the sun altogether and just suggest the light of it at the very top of the painting, but placed the reflection of the unseen sun near the bottom of the water. I was much happier with the result. We'll see if it will curry favour with the ROI hanging committee - a thankless task, with so many good paintings to be given just a few seconds to look at.