Wednesday, 30 September 2015

Red Highland

Pastel on Pastel Card, 15 x 19 inches

This Pastel is a commissioned painting, not dissimilar to a much larger one I did a few years ago that a client had seen.

Highland have a gentle, benign look to them, but you wouldn't want to feel the sharp end of those magnificent horns!

These upward-facing horns present a bit of a compositional problem - obviously, you want to include all the horns, right up to the tip to show up the majesty of the animal, but this means there will be a considerable vacant space from the top of the painting to the top of the head and back. There's no real solution to this conundrum, apart from letting the horns reach almost right to the top of the frame. This applies to all portraits - if more than the minimum is included above the top of the head, the portrait loses its power and majesty. I learned this by trial and error. Now here I am passing this on for free - my generosity knows no bounds...

As ever, I worked up the background with equal importance as the animal itself. I have a pretty clear idea of where I want the darks and lights to accentuate the same in the animal, and decide what tones and colours to use as I procede, hoping that it will all look right in the final analysis. I stand when I'm painting and step right back frequently to assess how the painting is progressing until I'm happy with the result - just hope the customer is! 

2 comments:

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  2. Nice one! Tip duly noted - thanks Peter!

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