Saturday 4 June 2016

Eye Brook to Eyebrook

Oil on Board, 12 x 17 inches

I actually posted this one last July when I painted it as a demo in the gallery, (did I mention I have a gallery....) but I felt it was a little blue, which is always a problem when painting under artificial, warm lights - your eyes compensate for the yellowy-orange lights and paint cooler, bluer tones.

So, having languished in the studio for nearly a year, I reworked it under daylight lights, and the result is more pleasing, I think.

The view is one of the Eye Brook near the gallery (I did mention I have a gallery, didn't I?), which runs into the beautiful Eyebrook Reservoir...hence the title. 

3 comments:

  1. Armastan teie maale. Need on nii ilusad.

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  2. I came to your blog having seen a mention of your name by Haidee-Jo Summers in her blog. I'm learning so much from your postings! I'm newish to painting and the things you talk about don't really come up much in books etc. Can I ask, if you ve left a painting and return to it to work on it some more, how do you do that? I've heard of retouching varnish but I don't know a lot about it or how to use it, or don't you use it anyway yourself, Peter?

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    1. Thanks for your kind words Caroline and I'm glad my scribblings have been of some us! To continue work on a painting, there is no need to do anything at all - just go back to it and paint! Retouching varnish can be used to bring out sunken dark passages, but really, most artists, me included, just use it as a protective film for the finished painting. An oil painting should be left for 6 months before a final varnish can be used, and few professionals manage to keep their work that long befor a gallery wants it, so retouching is sufficient. Hope that helps!

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